- The Means By Which All Is Revealed
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Japan:
Here's every country I've spent a day or more in besides the USA: Canada, Mexico, Panama, Britain, France, Germany, Poland, Czechia, Slovakia, Hungary, Israel, Japan. Of them, Japan is the best to visit. Like, it's got its problems (places not accepting credit cards, hard to get around without a translation app, it's hotter than the flames of Hell during summer), but it's super nice, super safe, exotic, cultured, advanced, and has good food. Every so often, I see people say "P6 should be set in the US or something," and it's like, NO. The actual mechanical concept of personas is only half of the appeal of the series. The other half is how overly Japanese everything is. The fact that all of this is filtered through the perspective of Japan is part of the appeal. For reference, a good comparison is Harry Potter. The whole wizard shtick is only half of the appeal, the other half is seeing the world through the perspective of a middle-class British woman who doesn't know anything about anything and doesn't know anywhere except two-thirds of London and one Scottish town, and nothing in the world actually matters except England. So when foreign characters show up and they're all named the most stereotypical thing possible for their ethnicity (Fleur Delacour, Cho Chang, Anthony Goldstein, Seamus Finnegan), it's because the author genuinely doesn't know anything. When a Bulgarian man shows up and Dumbledore introduces him as "our friend from the north" despite Bulgaria being hundreds of miles south of England, it's because the author genuinely doesn't know anything. Persona is the same thing to me. It's okay to have a foreign person show up now and again, maybe even a party member isn't out of the question, but I don't want it to be set anywhere but modern Japan. Absolute farthest out I'm willing to hear is Okinawa. Try anything else, and you'll get the same result as when Rowling tried to expand her worldbuilding by having the plot set in the 1920s where the characters go international, and suddenly the plot involves the Titanic, World War I, the Great Depression, and speakeasies, because that's all she knows about the world outside of her immediate area.Calling Cards
Elizabeth
Shoji Meguro
Personas (Summons):
Such a cool idea. It combines mythology and catching Pokmon, what's not to like? The idea that you can call upon these figures of humanity's collective subconscious to use their powers on your behalf makes complete intuitive sense, too.
Rivers in the Desert
Persona 5
- Mine for the Slammin'!
Benjamin Franklin
P5 the Gacha-Killer
Kamoshida as a Villain
Goro Akechi
Persona 5 Strikers Box Art
Suguru Kamoshida
The Subway Slammer
The Journey (P3)
October 4th (P3)
Persona 3
Velvet Room
Hiimdaisy Persona Comic
Junpei x Chidori
Mara
Evokers
Persona 4
Tarot Cards
Masayoshi Shido (Boss Fight)
Menus
Nyx
The Reaper
Mitsuru Kirijo
Sojiro Sakura
Persona 5 Strikers
Makoto Stalking Joker
- OMG! We Are SO Awesome!
Character Titles (P4AU):
Some of these are much better than others. "The Sister Complex Kingpin of Steel," dude, Nanko is 5. But these give a lot of personality to the characters and help set the 'not particularly serious' tone that the game goes for. Who's even assigning these titles? Doesn't matter.
Takuto Maruki
School Concert (P4G)
Shooting Yourself in the Head
Mass Destruction:
In my view, the first three seconds of this song are the definitive Persona song, moreso than even Rivers in the Desert. BABY BABY BABY. But then the guy starts rapping, and the song goes downhill fast. It gets better at 0:52 when the woman takes over again, but like, who cares, I just spent all of this time with the rapper guy. You compare this to like FF8 normal battle music and it is just night and fucking day.
Dating Every Girl
Thanatos
Akinari Kamiki
P5 Tarot Art
Aria of the Soul
P3 Characters in P4AU
President Tanaka
Negotiation (P5)
Rise Posters (P5)
Hot Spring Scene (P3)
EMMA:
The millisecond this thing showed up, I knew it was going to turn into a cell phone god and try to take over the world. There wasn't a doubt in my mind. Even though it's basically the exact same thing as Yaldabaoth, who I make fun of constantly, I like EMMA quite a bit more, both because its final boss design is funnier (I like the image of being a multiarmed Buddha who holds a gigantic cell phone above its head), and because it's something humanity actually created. The other final bosses are either gods or created from humanity's mind or whatever, but EMMA is just a cell phone with an Alexa app that people use too much. It actually plays into Persona's themes better than most Izanami and Yaldabaoth, so it wins some points for that. But like, I wouldn't really say that any of the games have AMAZING final bosses. Real missed opportunity to have her helpfully comment during the final battle as a rival navigator, giving you actually useful tips and advice on how to fight her, frustrating and confusing Futaba.
Persona Kart (Hypothetical)
Battle for Everyone's Souls
Joker (Smash)
King's Game
Persona Fusion:
Again, conceptually this is fun, it lets you repurpose old and shitty personas to create something new and useful, and you can spend quite a long time just creating new silly personas out of what you accidentally pick up in a dungeon just for fun. But again, it is just impossible to guess what will fuse into what. Other than a vague guess at their levels, you will never know that Nekomata + Archangel = Eligor, or whatever, because none of it makes any sense. If there is any pattern besides being completely random aside from level, then I have not been able to divine it in all my years of playing Persona. Whenever I need anything specific, I've always just had to look up a fusion calculator online, which aren't even always 100% accurate. So yeah, it's fun, and it's fun to collect all 151 pokemon, this gives Persona that same "collect 'em all" appeal as Pokmon, but I have no concept of what specifically produces what, and I never will.
Kanji Tatsumi
Never More (Song)
Memories of You
Adolf Hitler (P2)
Magician Arcana
Maya
Akihiko (P4AU)
Optional Romance Choices vs Canon Romance:
On the one hand, optional romance choices give the player control over what waifu he wants. On the other hand, having a canon choice lets the writer actually flesh things out more. Given that Persona is at least partly a waifu simulator, I can't fault the writers for going for the former. You compare this to Final Fantasy, where 7 and 10 pretend you have a choice, but then it becomes clear that Yuna/Tifa is the real girl. Too bad for Quistis, too, because she is superior to Rinoa in pretty every respect. Obviously, Persona is never going to give up the optional romance choice angle, and that's fine.
P3 Persona Awakening Cutscene
Sadayo Kawakami
Yosuke Hanamura
FeMC (P3P)
Funky Student
Cosmic Tower Burger
P4G Bike Ending
Tae Takemi
The Fox (P4)
Shiki-Ouji
P5 Using Igor's New VA as a Plot Point:
This was clever for longtime fans, although people who were brand new to Persona, like myself, could have never put two and two together. I actually like fake!Igor's voice more than the real deal's. Call me insane, but the deep and booming voice just sounds better to me.
Akira Konoe
Not changing this sig until I decide to change this sig.
Started: July 6, 2005