LogFAQs > #890477966

#12 Himiko Yumeno, the Ultimate Magus
"Nyeh, whatever...I'll move my ranking up using magic!"
Ah, Himiko...
She started as a delusional mage character, which was...quite amusing throughout the game. She's also lazy, but not in a very entertaining way. Then Tenko died and she tried to open up more and be more proactive...which is...nice character growth, I suppose, but I was just not really invested in her either way. She didn't really play a big part in the last chapter either other than finding the other exit (which is big, yeah, but it was unrelated to her as a character. It could've been Maki, Kibo, or Shuichi that made that discovery. Or I guess...that ties in to her escaping from the water tank back in chapter 2? Eh...probably not.)

Best Moment(s): "I can choose the card you picked, pull out coins, and release doves. Nyeh, if I get serious, I can even saw someone in half."
"(Those are just ordinary magic tricks!)"

11. Rantaro Amami, the Ultimate ?!
"I guess it makes sense for me to end up around here. Thanks."
We didn't get to spend a lot of time with him, but he's a great mysterious character. His design, personality, and actions all made me curious. I was caught off guard when he died first! That's awesome.
Then we learn more about him late game and via free time and he's...actually a pretty chill person! He survived the last killing game...which, if we take Tsumugi's words to be true, meant he came head to head with the mastermind as well. He does seem like someone who could survive far into the game. The thing with him traveling to find his sisters is really cool backstory as well. I like him and would love to see more of him in the future.

Best Moments: Uhh...painting Kaede's nails?

#10. Shuichi Saihara, the Ultimate Detector
"Ah...I see."
Meh. I'd rather have Kaede.
He didn't do anything wrong, mostly, he's a decent protagonist but very vanilla. And similar to Naegi in that he started out not really confident in his skills but grew to be more confident. I do like his solution to end the killing game, by giving the audience a disappointing ending on purpose.

Best Moments: Rejecting both Hope and Despair.
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Fuhlt nicht durch dich Sarastro Todesschmerzen,
So bist du meine Tochter nimmermehr-- eeeeeeeeeeeeeeehr.