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They should have just ended with the In Memoriam segment, and kept the rest of the order the same as other years. It would have been appropriate given the past year, and they could have ended on Boseman without it blowing up in their face.
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Yesmar
Yesmar_ posted...
They should have just ended with the In Memoriam segment, and kept the rest of the order the same as other years. It would have been appropriate given the past year, and they could have ended on Boseman without it blowing up in their face.
Yeah that would've been a much better call, though to be fair it's always possible people would've just tuned out once the awards were finished
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ChainLTTP posted...
My guess is that the order decision was a combination of wishful thinking that people care about Chadwick Boseman ( your average Oscar viewer has no idea who he is )
You... don't think Americans know the star of the third highest grossing movie in US history, who also had major scenes in the second and fifth highest grossing movies in US history?

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Not only that, but that third (fourth?) highest grossing movie ever was also itself nominated for best picture
your average super bowl viewer might not know who chadwick boseman is, but people who watch the oscars are gonna know. just a ridiculous and illogical claim
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Disagree with the Oscars? Blame the Stone Cutters, they rig every Oscar night.
Honestly Fincher probably should have won for The Social Network looking back on it.

Also I kinda wonder if the timing of most of these films releases were what got them wins, like all the late released films did well here
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Ngamer64 posted...
You... don't think Americans know the star of the third highest grossing movie in US history, who also had major scenes in the second and fifth highest grossing movies in US history?
The "average" oscar viewer isn't a marvel fan, nor are they film snobs. Most people who watch award shows are middle aged moms who also really like NCIS and Two and a Half Men. I promise you they don't know Chadwick Boseman by name.
LiquidOshawott posted...
Honestly Fincher probably should have won for The Social Network looking back on it.
This was true at the time and has only gotten more true since, Fincher losing to Tom Hooper (and Social Network losing to King's Speech) is still ridiculous. I mean I don't expect the Oscars to go for Fincher's kind of thing usually, but he was there in the running and had won elsewhere, and they chose the guy who would go on to make CATS!

He should've also been nom'd for Gone Girl imo, but yeah he didn't deserve it for Mank.
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Oh so like, middle-aged moms who probably took their kids to see Black Panther
I think King's Speech was a better film than Social Network, but Social Network was better directed.

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andylt posted...
This was true at the time and has only gotten more true since, Fincher losing to Tom Hooper (and Social Network losing to King's Speech) is still ridiculous. I mean I don't expect the Oscars to go for Fincher's kind of thing usually, but he was there in the running and had won elsewhere, and they chose the guy who would go on to make CATS!

He should've also been nom'd for Gone Girl imo, but yeah he didn't deserve it for Mank.

Its hard to fault the Oscars for picking Kings Speech, great film and far from the worst best picture movie (Looking at like, Argo and Crash here lol). Its more about its relevance and how its portrayal of Zuckerberg still remains relevant.
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Post #65 was unavailable or deleted.
Eh, there was like, no advertisement for this.

Hell I think I just realized it was going on right when I made this topic
Warning: I'm literally VeryInsane.
UltimaterializerX posted...
Oh, and the ratings are in.

2019: 21.6/36
2020: 18.1/33
2021: 8.9/19

Get woke, go broke.

And don't even try blaming covid, because with covid people are watching and streaming more than ever before. If your ratings collapse over 50% from the year before, it's because you absolutely suck.
what?

I mean they fucked up a lot and low ratings are inevitable but none of it was because they were woke???
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a movie directed by a chinese woman won so it was automatically woke
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The Oscars have a perception issue when it comes to being "too political" but it is not based in reality in my opinion. The speeches in recent years are barely different from the ones that were delivered in decades past; the same bland platitudes keep getting repeated, but some people have just gotten it into their mind lately that this time the winners are being "political," and everything gets interpreted through that lens.

If anything, the Oscars would benefit from *actually* being more political. Where are the Marlon Brandos sending up fake Native Americans to refuse awards on their behalf? People think the Oscars are political now ? Does the name Sacheen Littlefeather ring a bell?

I feel like a lot of this is ignoring the main issue. Adults in this country have stopped going to see movies made for adults, and would rather just infantalize themselves by watching nothing but franchise movies and films made for children. It's true that the Oscar nominees/winners are no longer box office hits, but that's not because the Oscars have become more stuck up in what they support; it's because audiences have. Best Picture winners like Terms of Endearment, Out of Africa, Platoon, Rain Man, Dances with Wolves, Forrest Gump , were all huge hits at the box office. None of those movies would be as popular now, because people refuse to go see anything they are not already familiar with. Being part of a "cinematic universe" is more important then whether or not a movie is actually good.

Edit: Social media has definitely taken some of the appeal out of awards shows as well. It used to be that these were one of the only times a year you could see these celebrities. Now you have people posting on Twitter and Instagram every day, and it takes the mystique out of Hollywood to an extent. When the AFI did their ranking of the greatest movie stars in history, twenty years ago, who was Number 1 on the female side? Katherine Hepburn, who famously eschewed the publicity machine and refused to do most interviews, giving herself an air of mystery that most stars today lack. Something to think about.
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Yesmar
Yesmar_ posted...
I feel like a lot of this is ignoring the main issue. Adults in this country have stopped going to see movies made for adults, and would rather just infantalize themselves by watching nothing but franchise movies and films made for children. It's true that the Oscar nominees/winners are no longer box office hits, but that's not because the Oscars have become more stuck up in what they support; it's because audiences have. Best Picture winners like Terms of Endearment, Out of Africa, Platoon, Rain Man, Dances with Wolves, Forrest Gump, were all huge hits at the box office. None of those movies would be as popular now, because people refuse to go see anything they are not already familiar with. Being part of a "cinematic universe" is more important then whether or not a movie is actually good.
I feel like that's not entirely a fair take either. That's partially true, but also most of the nominees tend to be movies that are never released for a major audience prior to the Oscars. Most of the time it's near impossible to see the all the nominees before the show itself without downloading them because half the nominees get released at like 10 theaters a month before the nomination process. Producers have started using the awards as a way to advertise their movies for later release rather than using the popularity of the release to adverstise for award season.
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Like look at this year's 8 Best Picture nominees

Nomadland - Feb. 19
The Father - March 26 (less than a month before the Oscars)
JatBM - Feb. 12
Mank - Nov. 13
Minari - Feb. 12
Promising Young Woman - Dec. 25
Sound of Metal - Nov. 20
Trial of the Chicago 7 - Sep. 25

1/2 of the nominees wouldn't even be eligible in a normal year and were released specifically for Oscar attention. The other 4 were all released in the last 1/4 of the year, and 3 of those were specific to a streaming service.
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Johnbobb posted...

I feel like that's not entirely a fair take either. That's partially true, but also most of the nominees tend to be movies that are never released for a major audience prior to the Oscars. Most of the time it's near impossible to see the all the nominees before the show itself without downloading them because half the nominees get released at like 10 theaters a month before the nomination process. Producers have started using the awards as a way to advertise their movies for later release rather than using the popularity of the release to adverstise for award season.

This does not apply for this year's oscars (the part about them being difficult to see)
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Crusader101 posted...
Disagree with the Oscars? Blame the Stone Cutters, they rig every Oscar night.

Your flopic on the movies board doesn't need to be dragged here
Well yes, this year there were logical reasons why no one saw any of the nominees. I don't begrudge the public for not going to see any of them. I was talking about the decline of Oscar-nominated movies in general in my previous post.
Congrats on Advokaiser for winning the 2018 Guru Contest!
Yesmar
Yesmar_ posted...
Well yes, this year there were logical reasons why no one saw any of the nominees. I don't begrudge the public for not going to see any of them. I was talking about the decline of Oscar-nominated movies in general in my previous post.
Yeah, this year's a weird example in every way, but even in past years it was mostly the same, where 80% of the nominees are released within the last month or two of their availability, and often only as limited releases.
Khal Kirby , warlord of the Super Star Khalasar
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^The late release thing is super common these days sadly, it was more noticeable this time because everything was pushed back a month or so.

voltch posted...
I think King's Speech was a better film than Social Network, but Social Network was better directed.
Fair, I can respect that!

LiquidOshawott posted...
Its hard to fault the Oscars for picking Kings Speech, great film and far from the worst best picture movie (Looking at like, Argo and Crash here lol). Its more about its relevance and how its portrayal of Zuckerberg still remains relevant.
And yeah you're right I was getting swept up putting it all together. The director pick was much more egregious, in isolation King's Speech isn't bad as far as standard Oscar fare goes. Related, I saw a graphic on twitter of the Best Actor wins in the 2010s and man that is a bland-ass list!

Yesmar_ posted...
If anything, the Oscars would benefit from *actually* being more political. Where are the Marlon Brandos sending up fake Native Americans to refuse awards on their behalf? People think the Oscars are political now? Does the name Sacheen Littlefeather ring a bell?
Agreed, people call any statement 'too political' now but the speeches are all super generic and no actors actually take a stand anymore. They'll be "woke" as a brand but very few of them actually put their money where their mouth is, they really live in a different world. I can't see anyone these days doing something like Brando did back then, none of them want to rock the boat if it'll hit their career.

As for the rest of your post I do think it's a bit unfair for you to blame the consumer, rather than capitalist society at large. Corporations have successfully taken over the cinemas like the studios did in the 50s, there was a period where they didn't know what they were doing so auteurs had more of a say but that is long gone. Everything is machine driven and the gelatinous mass of Disney continues to grow and consume everything in its path, sanding down any edge or spark of originality along the way.

I mean look at Chloe Zhao, she could be a really exciting filmmaker but she's already been swept up into the Marvel ecosystem. I don't think it's the consumer's fault, there are just much fewer options now. Mid-budget films are hardly getting made and indies have their audience but the blockbusters are so frequent that people don't really get a chance to slow down and look at what else is out there. I absolutely agree that the Marvel/Disney stuff is ruining what is left of cinema and the future looks very bleak on that front, I just don't think it's the fault of adults 'infantilising' themselves.
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Oh hey, two Oscars going to Danish people.
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andylt posted...

I mean look at Chloe Zhao, she could be a really exciting filmmaker but she's already been swept up into the Marvel ecosystem. I don't think it's the consumer's fault, there are just much fewer options now. Mid-budget films are hardly getting made and indies have their audience but the blockbusters are so frequent that people don't really get a chance to slow down and look at what else is out there. I absolutely agree that the Marvel/Disney stuff is ruining what is left of cinema and the future looks very bleak on that front, I just don't think it's the fault of adults 'infantilising' themselves.

Was Nomadland ruined because it's a Disney film?
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Mac Arrowny posted...
Was Nomadland ruined because it's a Disney film?
Nomadland isn't a Disney film in any real sense. It was produced by indie companies, and distribution rights were picked up by Fox Searchlight before Disney bought Fox.

And anyway there's a difference between 'produced by Disney' and the whole Marvel house style thing. Marvel directors have often said how they're not really there for ideas, they're just there to keep things running smoothly so nothing falls apart. The creative control is with the higher-ups and that's a big problem. Not to mention how Disney just stays away from certain topics (LGBT people, anything that would cause the movie to not play in China, etc). Disney inching closer to a monopoly is a horrible thing!
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Next up: Final Fantasy IX


andylt posted...
I mean look at Chloe Zhao, she could be a really exciting filmmaker but she's already been swept up into the Marvel ecosystem. I don't think it's the consumer's fault, there are just much fewer options now. Mid-budget films are hardly getting made and indies have their audience but the blockbusters are so frequent that people don't really get a chance to slow down and look at what else is out there. I absolutely agree that the Marvel/Disney stuff is ruining what is left of cinema and the future looks very bleak on that front, I just don't think it's the fault of adults 'infantilising' themselves.

Adults infantilising themselves is a ridiculous explanation promoted by, at best, the intellectually lazy, and at worst those who are intentionally pushing a dishonest agenda.

The obvious explanation for the decline of cinema is simply that the price of going to a theater has been outpacing inflation for decades while wages are stagnant. Combine this with the rise of streaming and many people have finally reached a tipping point where they simply refuse to go to a theater for anything less than a safe, spectacle based event film. Dont worry though! Adult entertainment hasnt gone away. Its just migrated to the streaming services.
It's like paying for bubble wrap. -transience on Final Fantasy: All the Bravest
Yesmar_ posted...
Where are the Marlon Brandos sending up fake Native Americans to refuse awards on their behalf? People think the Oscars are political now? Does the name Sacheen Littlefeather ring a bell?

uhhh I don't think she's a fake Native American
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Bane_Of_Despair posted...
uhhh I don't think she's a fake Native American
Whoops I didn't read Yesmar's quote properly, I didn't see the 'fake' there. Screw the audience back then for booing her (and John Wayne for having to be physically restrained from removing her).
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Next up: Final Fantasy IX
andylt posted...
Whoops I didn't read Yesmar's quote properly, I didn't see the 'fake' there. Screw the audience back then for booing her (and John Wayne for having to be physically restrained from removing her).
John Wayne not liking native Americans? No waaaaay
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My bad, I must have misinterpreted information I heard about Sacheen Littlefeather earlier. Consider me corrected.
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Yesmar
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I do want to push back on the idea that the oscars dont have a lot of mainstream films these days, or that adults dont see films made for adults. Oscar ratings have been sliding for a while, and obviously this years total lack of buzz is largely due to the big films getting delayed, lets look at the best picture nominees from last year:

1917
Ford v Ferrari
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time in Hollywood
Parasite
The Irishman

A majority of those (1917, Ford v Ferrari, Joker Little Women, Once Upon a Time in Hollywood) made over $100 million in the US alone, and The Irishman certainly would have if it had actually had a real cinematic release. Similarly Parasite was one of the highest grossing foreign language films ever in the US and was a worldwide smash hit. The only two nominees that werent mainstream successes are Marriahe Story and Jojo Rabbit, and the former was easily accessible and probably much-watched via Netflix. Things have actually gotten better in terms of both recognition of popular films and people going to see the awards contenders in recent years. Compare that slate to anything from 2000-2008. Its clear that this is not where the problem lies, discounting this year.

Its also not fair to a lot of filmmakers and audiences to take the elitist stance of audiences are infantilising themselves with franchise films and family films when we have seen that those kinds of films can actually be great art with the right people behind them, look at Mad Max Fury Road or a lot of Pixars work. We have also seen adult (ugh at the phrase) awards films be rewarded by audiences for being great, like Parasite or 1917. So this notion is just wrong.

However with that said, this year was a bit different with more smaller films that might not usually get a look in (Sound of Metal being the main one here) due to the pandemic, so the oscars had a chance to give these films exposure and they blew it. The lack of clips was a huge mistake, as now audiences will have no reference for what any of these films are.

So I just need to say, go and watch Sound of Metal, its a terrific film.
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Why were there no clips? A truly baffling decision.
It's like paying for bubble wrap. -transience on Final Fantasy: All the Bravest
The problem with politics and the oscars is that it's all so transparently performative. Ever since #oscarssowhite they've been obvious and blatant in promoting a brand of neoliberalism that is easily called out as being disingenuous. The speed in which they were able to go from an all-white slate of nominees to this one just shows how arbitrary the whole project is and it gives the impression that any and all political statements made are solely for identity politics/representation.

That said, going even more political probably isn't the answer. Any time an actor tries to push the envelope beyond a Disney-fied sense of diversity and inclusivity, that actor is usually memed and ridiculed (like Joaquin Phoenix last year with the dairy critiques). But the answer also isn't to embrace centrism, which Tyler Perry literally did on Sunday night in one of the grossest speeches I've ever heard.

Probably they need to adopt more of a Emily Dickinson-esque "tell the truth but tell it slant" approach. No need to be self-congratulatory about how diverse your noms are and how the industry has changed (when it actually hasn't really). There's no need to abandon projects of advancing minority filmmaking - Just be less self-serving about it. Also tell a few jokes every once in a while.

I'm not an expert or anything; those are just my thoughs.
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colliding posted...
That said, going even more political probably isn't the answer. Any time an actor tries to push the envelope beyond a Disney-fied sense of diversity and inclusivity, that actor is usually memed and ridiculed (like Joaquin Phoenix last year with the dairy critiques). But the answer also isn't to embrace centrism, which Tyler Perry literally did on Sunday night in one of the grossest speeches I've ever heard.
God, I forgot about Tyler Perry's centrist speech. That was some peak South Park 'smug' bs. That bit where he threw 'police officer' into the middle of a bunch of discriminated groups, ugh.
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Next up: Final Fantasy IX
andylt posted...
God, I forgot about Tyler Perry's centrist speech. That was some peak South Park 'smug' bs. That bit where he threw 'police officer' into the middle of a bunch of discriminated groups, ugh.
Please tell me what group is socially acceptable to fill in the phrase "All [blanks] are bastards"
ChainLTTP posted...
Please tell me what group is socially acceptable to fill in the phrase "All [blanks] are bastards"
the one that's not a protected minority class
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Johnbobb posted...
the one that's not protected
Exactly.
Just saw the Live Action Short nominees for this past ceremony. I've done this the past three years now, and if you get a chance to look at them before you make your prediction, I can assure you that the slickest looking one seems to always win.

Did anyone else see the winner? I have complicated thoughts about it, lol. It's an interesting premise (the main character keeps getting killed by police, waking up as if from a dream, and repeating the whole thing over and over, regardless of how many ways he tries to protect himself/"defuse" the situaton), but it goes on for so long that at some point it stops being about systemic racism and police brutality and is more about the set up itself.

There is also a scene where after he is shot by police, his blood pools out in the shape of Africa.
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Yesmar
I'm actually going to see it soon, have it in my Netflix queue.

I'm already a little wary of it though, because apparently it was kind of ripped off from another short film a few years back

https://www.youtube.com/watch?v=eEMIUy_ySA4

the same idea, and apparently Two Distant Strangers was made in association with NowThis, about a year after NowThis had reached out to the creator of the YouTube video about it.
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