- Break on Through (To the Other Side) - Sounds terrifically fresh and forceful to me, as if its brisk pace is meant to maximize the punch it packs.
- End of the Night - The latest in what feels like a long line of sparse, often ominous, sometimes direct album cuts (albeit technically not in this case) I seem to like much more than anyone else for reasons I struggle to articulate. I suppose that, as with the likes of Fitter Happier and Everything Will Be Alright, there's something in the looming that speaks to me somehow. But I still don't know what draws me to this one while leaving me nonplussed about The Overload, for example.
- Soul Kitchen
- Light My Fire
- I Looked at You
- Take It as It Comes
- The End
- Twentieth Century Fox
- Back Door Man
- Alabama Song (Whiskey Bar)
- The Crystal Ship
In my opinion, so much of it sounds great by today's standards - for me, this isn't an album that needs to be placed in its historical context (something I'm not good at anyways) to enjoy or even appreciate. I've found it remarkably engaging and effective, particularly for the ways it effectuates and executes its harder soundscapes, to the point where I don't even care that much about certain conspicuously suspect lyrics.