Lurker > King_Rial

He has his own representation, Kise and Blanche are representing Trump while Woodward and Dadan are representing Nauta. Dadan is a former public defender who's defended over 3,000 cases so it's not like he's got a total chump.

Dabney Coleman has died at the age of 92, PEOPLE confirms.

The actor died Thursday, May 16, at his home in Santa Monica, Calif., his daughter Quincy Coleman told PEOPLE in a statement.

"My father crafted his time here on Earth with a curious mind, a generous heart and a soul on fire with passion, desire and humor that tickled the funny bone of humanity, Quincy said. As he lived, he moved through this final act of his life with elegance, excellence and mastery."

"A teacher, a hero and a king, Dabney Coleman is a gift and blessing in life and in death as his spirit will shine through his work, his loved ones and his legacy eternally."

He is survived by his sister, Beverly Coleman McCall; his children Meghan, Kelly, Randy, and Quincy Coleman; and grandchildren Hale and Gabe Torrance, Luie Freundl, and Kai and Coleman Biancaniello.

Coleman worked in Hollywood for over six decades, with roles in films including 9 to 5, Tootsie and You've Got Mail. On TV, he starred in shows including Buffalo Bill and Boardwalk Empire. He appeared in more than 60 film and TV projects and was best known for playing bad guys.

Coleman was born in Austin in 1932. He was one of four children, raised by a single mother after his father died of pneumonia. In a 1984 interview, he linked his affinity for playing louts to his childhood.

Since I was a kid I played that role. I was very small until I got out of college, he told The Washington Post. Until then I was a mini-person, and I think that I was a little extra aggressive to compensate. To be the brat maybe even that was to attract attention, some kind of identity."

He attended college at the Virginia Military Institute, and he was drafted into the Army in 1953.

After his return, he finished college at the University of Texas. After meeting an actor, he realized he wanted to be one too. From 1958 to 1960, he trained with Sanford Meisner at New York Citys Neighborhood Playhouse School of the Theatre.

One of his first TV roles came on 1961s Naked City. He appeared on series like The Alfred Hitchcock Hour, The Fugitive, I Dream of Jeannie, The Donna Reed Show, That Girl, The Flying Nun, Bonanza and The Mod Squad. His early film roles included Cinderella Liberty and The Towering Inferno.

In 1973, he grew a mustache, which he kept for the rest of his life and career.

Without the mustache, I looked too much like Richard Nixon, he told Vulture in 2010. Theres no question that when I grew that mustache, all of a sudden, everything changed. In 1975, he got attention for his role as Merle Jeeter on Mary Hartman, Mary Hartman.

But the turning point in his career came when he was cast in 1980s 9 to 5 as Franklin Hart Jr., the diabolical boss that terrorizes the characters played by Jane Fonda, Lily Tomlin and Dolly Parton.

The girls were so supportive of me, and included me in everything, he explained to Vulture. They were on a whole different level than I was at the time, but they were very sensitive about that, and made sure that I was included in every publicity shot and tour. All three of them insisted, Wheres Dabney? Get him in here! Theyre all three unique and wonderful ladies, all three of them.

Coleman would work with Tomlin again on 1993s The Beverly Hillbillies. She told PEOPLE at the time that the actor "makes me laugh. He can razz you so bad."

Where did you take that IMPORTANT" notif

This is good but the Reddit post shared otherwise shows they arent acting in good faith.

I didn't. Can you throw me a link TC?

You can do movies too. These are fun, thanks for doing them.

David Sanborn, whose keening cry on alto saxophone was as bright and steadfast as a lighthouse beacon during a career that spanned nearly 60 years and included collaborations with everyone from David Bowie to Stevie Wonder, died on Sunday in Tarrytown, N.Y. He was 78.

According to an official statement, the cause was complications of prostate cancer, which he had been battling since 2018.

With a string of crossover hits in the 1970s and '80s, Sanborn set a sturdy template for the radio format known as smooth jazz, though he himself never warmed to the term. He had more than a dozen albums break into the Billboard 200, and won six Grammy awards four of them in consecutive years during the mid-to-late '80s. Two of those winning albums Straight to the Heart, a solo effort, and Double Vision, a collaboration with pianist Bob James are cornerstones of the commercial genre often labeled contemporary jazz.

The key to Sanborn's success was his sound, which ran sweet-tart with a bracing bite, like the wedge of lime on a salt-rimmed cocktail glass. He'd adapted that tone from his childhood hero, Hank Crawford, a former music director with Ray Charles but he made it as personal as his speaking voice, and carried it into a dazzling range of settings. Sanborn performed at Woodstock as a member of the Paul Butterfield Blues Band, with whom he logged his earliest recording credits. He can be heard amiably wailing on "Tuesday Heartbreak," from Wonder's Talking Book album, and James Taylor's "How Sweet It Is (To Be Loved By You)." His sax famously delivers the opening salvo on Bowie's "Young Americans," as well as a running commentary throughout the song.

Born in Tampa, Fla., on July 30, 1945, David William Sanborn spent his childhood in Kirkwood, Mo. A difficult bout with polio at age 3 the virus attacked his lungs, an arm and a leg led to the saxophone as a therapeutic treatment. Enchanted by Crawford and others, he found an obsession; by his early teens, he was sitting in with blues legend Albert King. He joined the Butterfield band after moving to Los Angeles, just out of college.

The versatility that Sanborn brought to his musical career would also become a trademark on network television. He was briefly a member of the Saturday Night Live band in the early 1980s, and became a regular guest with Paul Shaffer's band on Late Night with David Letterman. The experience led to a short-lived but fondly remembered late-night music variety show called Night Music, which he co-hosted with Jools Holland at the close of the '80s. In the show, which was produced by Hal Wilner, Sanborn both bantered and performed with the guest lineup, which was radically eclectic; one episode had saxophonist Sonny Rollins, troubadour Leonard Cohen, pianist George Duke, spoken-word artist Ken Nordine, and the avant-pop band Was (Not Was). Over the last year, Sanborn rekindled some of this energy on an interview podcast called As We Speak, from WBGO.

Through every phase of his career, Sanborn maintained an insistent if inconstant connection with the jazz tradition. In 2013, he reunited with Bob James to make Quartette Humaine, a straight-ahead album that evoked the spirit of the classic Dave Brubeck Quartet. The following year, he released Enjoy the View, a surefooted soul-jazz outing featuring Bobby Hutcherson on vibraphone, Joey DeFrancesco on Hammond B-3 organ and Billy Hart on drums.

At the same time, perhaps as a result of some unhappy encounters with jazz gatekeepers, Sanborn maintained a certain humility about his place in the music. "If push comes to shove," he told NPR's Scott Simon in 2008, "I would describe myself more as coming out of the blues/R&B side of the spectrum. But I mean, if you play the saxophone, you certainly can't escape the influence of jazz. So it's not that I necessarily don't, you know, want to be called a jazz musician. It's just that I you know, I don't know if that's totally accurate."

He literally bragged about it on TikTok and self-snitched.

It's stuff like that which is why the GOP was sooooo against Biden's hiring of "80000 new IRS employees."

By mapping audit costs and returns across the income spectrum, he continued, We saw very clear evidence that the return from audits at the top of the income distribution really exceeded by quite a bit the returns at the bottom of the income distribution. With the top 10 percent of earners, they found, audits have the potential to return more than $12 for each $1 spent.